La Pedrera - Architecture - Andrew Newman Photography

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Award-winning photographer based in the South West of England

ABOUT ME

I am an enthusiastic award-winning amateur photographer based in the South-West of England with a real drive for creating a broad range of images.

I've been taking pictures for most of my adult life, but over the last 10 years or so I've started to consider myself a photographer in the artistic sense of the word.

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Stepping inside Casa Milà—better known as La Pedrera (The Stone Quarry)—feels like leaving the straight lines and sharp corners of traditional architecture behind. Gaudí famously said that nature doesn’t do straight lines, and that idea really comes through when you look up from the middle of its central courtyard. This wide-angle view really shows off the flowing, organic rhythm of the interior façade. The stacked windows and painted plaster walls seem to swirl upward like the inside of a giant fossilised seashell. From the darker, cave-like lower levels, your eye is naturally pulled up toward the bright oval of Mediterranean sky above, which almost feels like a blue ceiling hanging over Gaudí’s stone canopy.The warm golden light across the upper levels contrasts beautifully with the darker, textured columns below. It gives the whole space a real sense of depth, turning what is basically a ventilation shaft into something sculptural and unexpectedly dramatic. For me, this image really gets to the heart of Modernisme—architecture that feels less built and more grown.
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La Pedrera - Architecture - Andrew Newman Photography
Stepping inside Casa Milà—better known as La Pedrera (The Stone Quarry)—feels like leaving the straight lines and sharp corners of traditional architecture behind. Gaudí famously said that nature doesn’t do straight lines, and that idea really comes through when you look up from the middle of its central courtyard. This wide-angle view really shows off the flowing, organic rhythm of the interior façade. The stacked windows and painted plaster walls seem to swirl upward like the inside of a giant fossilised seashell. From the darker, cave-like lower levels, your eye is naturally pulled up toward the bright oval of Mediterranean sky above, which almost feels like a blue ceiling hanging over Gaudí’s stone canopy.The warm golden light across the upper levels contrasts beautifully with the darker, textured columns below. It gives the whole space a real sense of depth, turning what is basically a ventilation shaft into something sculptural and unexpectedly dramatic. For me, this image really gets to the heart of Modernisme—architecture that feels less built and more grown.